30,471 Free Images of Center Pivot

yale center for british artetchings in the yale center for british artetchinghand-coloredpaperisaac cruikshankjames gillraydrawings in the yale center for british artlaid paperengravings in the yale center for british art
A French Lady, George Maile, 1830
mezzotint prints in the yale center for british artgeorge maile
Silas Deane, Thomas Johnston
etchings in the yale center for british artthomas johnston
Untitled Images of Livestock, Plate 16, Henry Walter, 1824
lithograph prints in the yale center for british arthenry walter
Temple Bar, Charles William Sherborn
etchings in the yale center for british artcharles william sherborn
The Grand Review on Sydenham Common, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
etchings in the yale center for british artjames gillray
Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
View at Oaklands, Hercules Brabazon Brabazon
drawings in the yale center for british arthercules brabazon brabazon
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Highland Interior, Alexander George Fraser
etchings in the yale center for british artalexander george fraser
Lord Robert Manners, Captain R.N., William Dickinson, 1783
mezzotint prints in the yale center for british artwilliam dickinson
The Chancellor of the Inquisition Marking the Incorrigibles, James Gillray, 1793
etchings in the yale center for british artjames gillray
A View of the Casade etc. at West Wycomb, William Woollett, 1757
engravings in the yale center for british artwilliam woollett
Miss Hibernia at John Bulls Family Dinner, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
John Bull Triumphant, James Gillray, 1780
etchings in the yale center for british artjames gillray
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Pitt Fall, James Gillray, circa 1785
etchings in the yale center for british artjames gillray
The Treaty of Peace, or Satisfaction for all Parties, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Sailors and the Pounded Ass, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Lough Foyle, Londonerry, John James Hinchliff
etchings in the yale center for british artjohn james hinchliff
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
Down Castle, Craigforth and Stirling in the Distance, Thomas Medland, 1802
aquatint prints in the yale center for british artthomas medland
Ticket to Westminster Abbey, Francesco Bartolozzi, before 1791
engravings in the yale center for british artfrancesco bartolozzi
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
View of the City with the Louvre &c., taken from Pont Marie, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
The Auckward Squad, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds, Henry Thomas Alken
drawings in the yale center for british arthenry thomas alken
Sailboat, Thomas Daniell
drawings in the yale center for british artorientalism
Bermerside, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
Rietz near Saumur, Robert Brandard, 1833
engravings in the yale center for british artrobert brandard
The Grand-Signior Retiring, James Gillray, 1796
etchings in the yale center for british artjames gillray
Beidelsar (Asclepias procera), Luigi Balugani
drawings in the yale center for british artluigi balugani
Les Sacrefices Forces, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
The Destruction by Fire of the Houses of Parliament, Maxim Gauci, after 1834
lithograph prints in the yale center for british artmaxim gauci
Bermerside, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
St. Julian's, Tours, William Radclyffe, 1833
engravings in the yale center for british artwilliam radclyffe
Study of a Reclining Nude, François Boucher
drawings by françois boucher in the getty centerrococo
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry, Henry Thomas Alken, 1823
drawings in the yale center for british arthenry thomas alken
Mines de Botallack, Edward Edwards, 1866
etchings in the yale center for british artedward edwards
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
The April Fool or The Follies of a Night ---, James Gillray, 1786
etchings in the yale center for british artjames gillray
Crakow, Alfred Gomersal Vickers, 1827
drawings in the yale center for british artalfred gomersal vickers
A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
etchings in the yale center for british artjames gillray
Mountains on the Coast, Thomas Daniell
drawings in the yale center for british artorientalism
A Lady and Children, William Dickinson, 1780
mezzotint prints in the yale center for british artwilliam dickinson
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
S.E. Fakeer's (Fakir's) Rock in the River Ganges near Sultaungunge, Thomas Daniell, circa 1790
drawings in the yale center for british artorientalism
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Castle of Isola, Italy, Rudolph Ackermann, 1822
lithograph prints in the yale center for british artrudolph ackermann
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
A Tree Struck by Lightning, Cornelius Varley
drawings in the yale center for british artcornelius varley
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Portrait of an Elderly Gentleman and Portrait of an Elderly Woman, James Havard Thomas
drawings in the yale center for british artjames havard thomas
Edwinsford, the Seat of R. Banks Hodgkinson Esqr., William Watts, 1776
etchings in the yale center for british artwilliam watts
Boschbeek & Gorenendaal: One of Two Landscape Plans, Gerrit Jan Schouten
drawings in the yale center for british artgerrit jan schouten
Protea Gaguedi, Luigi Balugani
drawings in the yale center for british artluigi balugani
Uschis (Coccinea abyssinica), Luigi Balugani
drawings in the yale center for british artluigi balugani
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Present of a Haunch of Venison!, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Julius Caesar: Act IV Scene III: Brutus' Tent..., Edward Scriven, 1802
engravings in the yale center for british artedward scriven
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Rochester, Stroud, and Chatham, Medway, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
Tree Study, Cornelius Varley
drawings in the yale center for british artcornelius varley
Evening or the Sportsman's Return, Joseph Grozer, 1795
mezzotint prints in the yale center for british artjoseph grozer
A Portrait ------------, James Gillray, 1799
etchings in the yale center for british artjames gillray
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
Mortlake, William Westall, 1823
lithograph prints in the yale center for british artwilliam westall
The Irish Bull broke Loose, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Dismantling of the Temple of Jupiter, Aegina, Robert Brandard, 1835
engravings in the yale center for british artrobert brandard
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
Fall of the Brahan, Thomas Medland, 1802
aquatint prints in the yale center for british artthomas medland
A View of the Great Room, etc. at Hall-Barn, William Woollett, 1760
engravings in the yale center for british artwilliam woollett
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Room in Fulwood's Rents, Gray's Inn, John Wykeham Archer, 1850
etchings in the yale center for british artjohn wykeham archer
Saltash, Cornwall, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
Ashestiel, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
Bemerside Tower, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
The Alto Relievo, Benjamin Smith, 1796
prints in the yale center for british artbenjamin smith
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Susanna and the Elders, Richard Earlom, 1769
mezzotint prints in the yale center for british artrichard earlom
View of St Stephen's Chapel as it appeared after the Fire in October 1834, Frederick Mackenzie, 1843
lithograph prints in the yale center for british artfrederick mackenzie
St. Mary le Strand
engravings in the yale center for british artjoseph john skelton
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
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